Pricing
Pricing

Every story deserves its film.From first draft to final color.

Write the story, cast consistent characters, direct every shot and score the scene, all from one conversation with your agent.

GoogleKlingMidjourneyOpenAIByteDanceBlack Forest LabsElevenLabsSunoGrokIdeogramPrunaTopazTongyiGoogleKlingMidjourneyOpenAIByteDanceBlack Forest LabsElevenLabsSunoGrokIdeogramPrunaTopazTongyiGoogleKlingMidjourneyOpenAIByteDanceBlack Forest LabsElevenLabsSunoGrokIdeogramPrunaTopazTongyi
GoogleKlingMidjourneyOpenAIByteDanceBlack Forest LabsElevenLabsSunoGrokIdeogramPrunaTopazTongyiGoogleKlingMidjourneyOpenAIByteDanceBlack Forest LabsElevenLabsSunoGrokIdeogramPrunaTopazTongyiGoogleKlingMidjourneyOpenAIByteDanceBlack Forest LabsElevenLabsSunoGrokIdeogramPrunaTopazTongyi

Start from a script, or just an idea.

Outline the logline and let the agent break it into scenes, shots and pacing before you generate a single frame.

Start from a script, or just an idea.

The same face, every scene.

Lock a character's likeness once and carry it through every shot, episode and wardrobe change without losing continuity.

The same face, every scene.

Camera moves you actually asked for.

Call the pan, the dolly, the close up. Shot Grid keeps every take organized so continuity survives the edit.

Music and sound built for the cut.

Generate an original score or sound design tuned to the mood, pacing and length of your film.

Music and sound built for the cut.

How a cinematic film comes together.

Four decisions from idea to finished cut.

01

Write The Logline

Describe the premise, tone and world in your own words.

02

Break It Into Shots

The agent proposes a scene list and shot order you can edit.

03

Cast And Generate

Lock your characters, then generate each shot with the model built for it.

04

Assemble The Cut

Arrange every shot, add score and sound, and export the finished film.

Questions, answered.

A cinematic film is a fully directed piece built from a story, consistent characters, connected shots and a finished edit, rather than a single generated clip.

Yes. Lock a character once in casting and every new shot references the same likeness, wardrobe and voice.

Veo, Kling and Sora handle most dramatic camera work well. The agent can also switch models mid project when a shot calls for it.

No. The cast, sets and camera moves can all be generated from the story alone. You can also bring your own footage into the timeline.